16:27:31 From dhc to Everyone:
https://www.hipharp.com/blog/49423 
16:30:59 From Tammy H to Everyone:
Countdown Concert link if you’ve just joined us https://www.hipharp.com/blog/49423 
16:31:16 From dhc to Everyone:
https://www.hipharp.com/blog/49423 
16:33:20 From dhc to Everyone:
https://forms.gle/C5VYfkvy3ETyrDBC7 
16:37:38 From dhc to Everyone:
https://www.hipharp.com/bfchallenge 
16:40:50 From Tammy H to Everyone:
Baroque Queen
[LH] A E
[LH] A E
[LH] A F
[LH] A E
Repeat
Improvise above this with your [RH]
[RH] B C
16:41:43 From Tammy H to Everyone:
[LH] A E [RH] B C
[LH] A E [RH] B C
[LH] A F [RH] B C
[LH] A E [RH] B C
[LH] A E [RH] B C
[LH] A E[RH] B C
[LH] A F [RH] B C
[LH] A E [RH] B C A
Gliss
16:43:21 From Tammy H to Everyone:
You can add to your [RH] above the BC
This is just the structure not absolute
16:49:14 From Tammy H to Everyone:
Flamenco Dancer
A E
Play with rhythms
16:50:56 From Tammy H to Everyone:
Change the bass
G D
F C
E
Same shape just playing with the rhythms.
16:55:54 From Tammy H to Everyone:
Go back to A
Then play with the first Baroque melody
Going between the two characters Baroque melody – Spanish (flamenco) melody.
16:56:56 From Susan B 831-238-6111’s iPhone (2) to Everyone:
Can you give us one simple rhythm to try
16:57:33 From Susan B 831-238-6111’s iPhone (2) to Everyone:
This is overwhelming without a flamenco sample
17:03:08 From Susan B 831-238-6111’s iPhone (2) to Everyone:
Again
17:04:14 From Pam Jurgens to Everyone:
Yes! Again please!, Thank you, Susan!,
17:04:18 From Susan B 831-238-6111’s iPhone (2) to Everyone:
Im visual so i want to see what note gets played in what beat
17:05:36 From Susan B 831-238-6111’s iPhone (2) to Everyone:
That so works!!! Thankyou
17:08:21 From Nancy C to Everyone:
There’s something very stable about the patterns.
17:10:16 From Susan B 831-238-6111’s iPhone (2) to Everyone:
When i just see and hear a bunch of notes without access to break it down to bits and pieces – my brain just gives up
17:10:35 From Pam Jurgens to Everyone:
So cool! Learned to be in the moment with the instrument and allowing it to sing to me… even if it is different!
17:10:37 From Cherie Maffey to Everyone:
Finding the rhythm was helpful. Seeing what you were doing and the counting were all helpful.
17:10:38 From Wendy Savage to Everyone:
That’s exactly what happened for me. Repetition and then I got so grounded and felt very comfortable as I played.
17:10:44 From Susan B 831-238-6111’s iPhone (2) to Everyone:
So this helped a ton!!
17:10:49 From Tara to Everyone:
Having the rhythm clarified helped make it more stable, so it then becomes easier to come back to no matter what the other hand is doing.
17:11:01 From Cathy Hornby to Everyone:
Nice to surrender to the repetition and the seeing you play up close I realised I could use my left hand to move above and below my right was fun
17:11:10 From Joke Verdoold to Everyone:
I experienced that, without your playing, it was impossible to play the intricate rhyme left and noodle over it right.
17:11:51 From sarah to Everyone:
to show the Rhythm slow was very helpfull to me.
17:17:50 From Laurie to Everyone:
The close-up view of your hands on the harp is so very helpful – like aural training – able to match sound with visual patterns
17:19:20 From Tara to Everyone:
Furious glisses
17:19:27 From Kimberly to Everyone:
Grand gestures
17:19:32 From Joke Verdoold to Everyone:
You made a show with character
17:19:34 From Elizabeth Murphy to Everyone:
Strumming with passion
17:19:47 From Kimberly to Everyone:
Intensity and emotion in your face
17:19:52 From Laurie to Everyone:
Much more energetic, bold, accentuated gestures – more emphatic rather than lyrical music
17:20:00 From Cathy Hornby to Everyone:
Bold, powerful, don’t-mess-with-me harping!
17:20:17 From Joan Davidson to Everyone:
Dramatic Flamenco – like
17:20:22 From Laurie to Everyone:
Reacted to “Bold, powerful, don’…” with 💜
17:23:02 From Tammy H to Everyone:
Raise your G’s to G#
E open 5ths or Chords
F open 5ths or chords

E open 5ths or Chords & gestures
F open 5ths or chords & gestures
17:25:41 From Laurie to Everyone:
You really have to ‘get into character’ to pull this off!
17:25:44 From Kimberly to Everyone:
It is freeing to come out of the rhythm and be so wild
17:25:47 From Tara to Everyone:
A single bombastic gliss is not enough. There need to be lots of them.
17:25:49 From Joke Verdoold to Everyone:
The repetition became mesmerising
17:25:49 From Cherie Maffey to Everyone:
It feels more dramatic with large arm movements.\
17:25:56 From Tammy H to Everyone:
It’s easier to do when you add the gestures without touching the harp get’s you into the character
17:26:25 From sarah to Everyone:
i wanne learn to strum, it is so cool together with the normal playing
17:26:26 From Joan Davidson to Everyone:
The gestures invigorate me and my playing
17:26:37 From Cathy Hornby to Everyone:
I discovered (though I kind of know it already) that this is so hard to do for an introvert 🫤. But I can let my hands at least have duende!
17:27:50 From Susan B 831-238-6111’s iPhone (2) to Everyone:
This is the rhythm and notes I’m playing to sound flamenco like

1-a 2 3 1-e 2 3
1-a 2 -3
1 e 2-f 3 -e
17:27:56 From Pam Jurgens to Everyone:
Brushing works. Even if you arenot playing a “”Chord
It’s all I.0in
The attitude
Noticing I do not let myself that!, inspired to do 29 minutes
17:28:13 From dhc to Everyone:
https://www.hipharp.com/bfchallenge
17:29:25 From Tammy H to Everyone:
[LH] D F A C – Strum with your right hand
17:30:01 From Tammy H to Everyone:
[LH] E G B D – Strum with [RH]
17:30:23 From Tammy H to Everyone:
Option you can add in the middle of the cadenza
17:30:45 From Tammy H to Everyone:
Baroque Flamenco Challenge Link https://www.hipharp.com/bfchallenge 
17:31:10 From dhc to Everyone:
https://www.hipharp.com/academy/ 
17:31:16 From dhc to Everyone:
Special Code HTL-2023-500
17:31:51 From dhc to Everyone:
https://www.hipharp.com/blog/49423 
17:32:05 From Tammy H to Everyone:
Code works
17:34:12 From Cherie Maffey to Everyone:
Rhythm and making big movements for effect.
17:34:12 From Wendy Savage to Everyone:
Easier to be expressive! Yay!
17:34:19 From Judi to Everyone:
flow, fun, liberating!
17:34:21 From Nancy C to Everyone:
Stability, rhythm, express yourself.
17:34:27 From Tara to Everyone:
emphasis on character
17:34:27 From Pam Jurgens to Everyone:
Spontaneous connection to instrument!
17:34:32 From Joke Verdoold to Everyone:
Working with different ryhtmes
17:34:40 From Mari to Everyone:
Timing is more mental than finger exercises
17:34:40 From Gretchen Weaver to Everyone:
To be Free with the music.
17:34:40 From Kimberly to Everyone:
Ground then be free then come home to ground
17:34:49 From Joan Davidson to Everyone:
The rhythm and gestures became easier for sure!
17:34:50 From Cathy Hornby to Everyone:
I discovered how relaxing into playing, through repetition, let’s me build rythms organically and with fun!
17:35:14 From Elizabeth Murphy to Everyone:
I learned even I can be fantastic at being bombastic!
17:35:15 From Susan B 831-238-6111’s iPhone (2) to Everyone:
Now that i have the basics solidly i can now do the expression of it
17:35:23 From sarah to Everyone:
I discover that sometimes I forgot to ground and that I was experimenting. Nice challence for me to try to ground more
17:36:47 From dhc to Everyone:
https://www.hipharp.com/blog/49423
17:39:28 From Kimberly to Everyone:
Thank you!